Whitehall Orchestra – Verdi: Requiem – 7.30pm
Verdi: Requiem - Arranged by Richard Blackford for two pianos, organ and percussion
Verdi’s setting of the Requiem (1874) is beloved for its intense emotion, operatic lines and utterly thrilling power. This new arrangement by Richard Blackford combines the huge range of colours available to the organ, along with the percussive drive of the piano, timpani and bass drum, and allows smaller choirs to give a more intimate but equally thrilling performance of this amazing work.
Whitehall Choir is joined by top soloists and players for a performance not to be missed!
Conductor: Joanna Tomlinson
Organ: Richard Moore
Piano: Ian Tindale and Michael Higgins
Percussion: Keith Price
Soprano – Anita Watson
Mezzo-soprano – Felicity Buckland
Tenor – Gareth Morris
Bass – Trevor Eliot Bowes
Whitehall Choir, under its dynamic Music Director Joanna Tomlinson, is one of London’s leading amateur choirs.
Joanna Tomlinson is also Principal Conductor of the National Youth Choir of Great Britain Girls’ Choir and Artistic Director of Constanza Chorus. Recent engagements include conducting Vaughan Williams’ Sea Symphony with the London Mozart Players.
Ian Tindale, accompanist of Whitehall Choir, is increasingly in demand as a song pianist and chamber musician. Recent engagements include song recitals across Europe and the UK, including performances at the Edinburgh International Festival and at London’s Wigmore Hall, and Ian frequently appears as a member of the London Philharmonic Orchestra.
Upcoming Events
Mozart’s Da Ponte Operas: Reinventing the Operatic Voice 11:00 – 13:00
The astounding partnership between Mozart and Da Ponte produced Le Nozze di Figaro, Don Giovanni and Cosi Fan Tutte, featuring many of opera's most complex and memorable roles. Experience the music and meet the characters in this enthralling recital series.
28 Oct Sincerity on Trial
Dropped into comic operas with seria voices, Mozart's tenors don't get the straightforward luxury of being either comic or serious — Don Ottavio and Ferrando can be both noble and laughed at in the same breath. This recital explores the gorgeous, soaring music sung by men the drama refuses to let you trust. What happens when Mozart puts his heartfelt heroes on trial? With tenor, Robert Forrest, and pianist, Lucy Colquhoun.
A Taste of Heaven – 6pm
The Holy Trinity Consort presents a French-Swiss celebration - written in secret and hidden in a drawer for forty years, Frank Martin's Mass for Double Choir is now treasured as one of the twentieth century's great choral discoveries. After the interval, Fauré's sublime Requiem: music of consolation, from the radiant Pie Jesu to the whispered farewell of In Paradisum. We are delighted to welcome Läderach as our partner for the evening, and premium-ticket holders will enjoy an exclusive tasting of their exquisite Swiss chocolate. Candlelight, chocolate and glorious music - an evening to savour at Holy Trinity.
Mozart’s Da Ponte Operas: Reinventing the Operatic Voice 11:00 – 13:00
The astounding partnership between Mozart and Da Ponte produced Le Nozze di Figaro, Don Giovanni and Cosi Fan Tutte, featuring many of opera's most complex and memorable roles. Experience the music and meet the characters in this enthralling recital series.
4 Nov Reason and Desire
Soprano, Ceferina Perry, introduces us to the smartest women in eighteenth-century opera: Susanna outwits everyone; the Countess holds her dignity together with sheer will; Zerlina talks her way out of disaster; and Despina runs the whole con. Mozart and Da Ponte threw out the rulebook for female characters and gave each of them a voice, and a mind, entirely her own. Come and celebrate the women who prove that wit, resilience, and desire is just as operatic as tragedy.