Bach St John Passion – Palm Sunday – 6:30pm
Bach St John Passion, Palm Sunday, 2nd April, 6:30pm:
Come and hear Bach’s musically mesmerising and spiritually moving work, a dramatic musical depiction of Christ’s arrest, trial and crucifixion, sung by Holy Trinity’s professional singers, choral scholars, the excellent “choral evensong” choir, and newly formed “chorale” choir, with internationally acclaimed tenor, James Gilchrist, as Evangelist, and HT's very own James Hobson as Jesus, accompanied by members of London’s leading early music ensembles, led by Alison Bury, directed by Max Barley.
The performance will finish at about 8:30pm. Tickets: Nave £20; rear Nave and lady chapel £15; under 18s £10.
If you would like to join the ‘chorale’ choir for the performance – the more the merrier – please email Max -music@sloanechurch.org – and this will enable you a “ring-side” seat at the performance!
Upcoming Events
London Oriana Choir – Path of Miracles –
Composer Joby Talbot’s acclaimed choral work, Path of Miracles, takes its inspiration from the famous ancient pilgrimage route to Santiago di Compostela in northern Spain, chronicling the 500-mile journey from the foot of the northern Pyrenees. Join London Oriana Choir, special guest singers from the award-winning, original commissioning ensemble Tenebrae and Dominic Ellis-Peckham for a truly memorable and dramatic performance of this unique choral masterpiece.
The Esterhazy Singers – Haydn’s St Nicholas Mass, and Holst’s The Cloud Messenger – 7pm
Haydn’s mass was dedicated to Nicolaus Esterhazy, his patron from whom we take our name, and in this performance it is paired with Holst’s little known choral masterpiece, considered by the composer one of his best works.
Doors open from 6:30pm for a 7pm performance. Tickets are £25, or £10 for under 25 year olds, and are available at the website below or on the door. Programmes will be available for purchase on the door for £2.
London Concert Choir – Howells Requiem & Stainer The Crucifixion – 7.30pm
in London Concert Choir for an evening of sacred music from two of the great English choral composers, in the perfect setting.
The understated beauty and emotion of Herbert Howells’ interwar Requiem offers the perfect foil for the reverent Victorian grandeur of John Stainer’s Passiontide oratorio, The Crucifixion.
Howells’ unaccompanied Requiem brings his unmistakable compositional voice and very personal interpretation to the Church’s liturgy for the dead. Composed in 1932, but unpublished until 1980, it provided the genesis of the more complex and widely acclaimed Hymnus Paradisi. With characteristic precision and clarity, Howells evokes loss, grief, reflection and redemption, blending elements of the Latin mass and The Book of Common Prayer.